Tom Waits - Bone Machine
Pixies - Bossanova
Red Hot Chili Peppers - Californication
Suede - Coming up
Nirvana - In Utero
Radiohead - OK Computer
The Smashing Pumpkins - Siamese dreams
U2 - Achtung baby
R.E.M. - Automatic for the people
Portishead - Dummy
Wish I could say that I'm excited, but I'm not. It's a bit like The Matrix: when the sequells came (and sucked) it retrospectivley gave the original movie a bad feeling.
So far the only positive effect is that I discovered that the Raveonettes have covered I wanna be adored.
It's a bit like that incredible Amarone you drink at your friend's dinner. Casually opening that reasonably priced Zinfandel the next day just doesn't cut it.
When I saw The National in Europe they gave me a sensation that their recordings can't match: after the concert I couldnt't listen to the records for a while.
This time I was in the company of a couple that (despite a Spotify invite) never bothered to listen to the music in advance, so we listened to them a bit the following day. Quite nice, even though most of the conversation centered around their final number.
Their closing act is really quite a fabolous thing. They gather the band center front and play unplugged (completely). Appart from singing along the audience needs to be completely silent (as you'll notice in this clip).
Stumbled upon a one hour BBC documentary about U2.
It included footage from various live performances on Top of the Pops and already twenty or so minutes into the film they had shown material from "Achtung Baby".
"So what are the remainig 40 minutes going to be about?" I thought to myself, and found that people (many who seem to work at the BBC) actually think U2 mattered after the mid 90's.
My favorites:
Tomorrow - from the album "October", 1981
Where the streets have no name - from the album "The Joshua Tree", 1987 (this version live)
I had to drive for 3 hours to a business meeting a few days ago, and brought along a set of (pretty decent) headphones I usually keep at work.
Alone in the car I figured I'd take the time to explore some music that I hadn't listend to for a while and expected would give me a bit of a HI-FI experience.
Started of with a few songs from Achtung Baby (what great work by Lanois!) but actually tired quite quickly and moved on to some Depeche from late 80's, early 90's. Strangely, that got boring quite quickly and I browsed my iPhone for a while and suddenly felt an urge to listen to Tom Waits.
Listened through the first record from Orphans (Brawlers, Bawlers & Bastards) and followed that with a few favorites from his early catalogue.
His music is an interesting clash between perfection and imperfection. He does his best to sing like a drunk, but never misses a note. The production is dirty, but perfect.
This is true, though: TA introduced me to Angus & Julia Stone, and now I realize that I need to move to Brooklyn so that I can discover more bands from Australia.
About half of you out there are tuning in from the USA, so assuming any of you are repeat visitors you'll be happy to know that Spotify is coming to the USA (since I often link to tracks or acts in Spotify).
TA (see previous post) told me about how the National formed as a band.
Apparently Matt Berninger had a huge loft in Brooklyn were he used to hang out with friends. TA told him he should do something more inspiring than just play pool and smoke, so Matt started a band.
TA told him to book a concert at Radio City Hall, and that he needed to create some kind of a signature act, like walking through the audience with a really long microphone cable.
I think he might be lying, though. In fact, I made all of that up. I'm the liar.